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Post by vortex on Jul 15, 2006 10:53:51 GMT
Keyboard magazine September 2005
Michel Sigman Ex 80’s pop band ‘berlin”
In an article on “doing Kraftwerk[/u]
Perhaps the most innovative aspect of the early Kraftwerk records was their pioneering use of sequencers. In the early 70’s sequencers were certainly not the ubiquitous software items they are today. As a result most were stunned by the rigid perfectly executed patterns created on their recordings and likely imagined banks of exotic custom computers behind the scenes operated by droids. Surely this was Kraftwerk’s intention as they went out of their way to shroud almost all aspects of their creation in mystery…….
,,,In reality its likely that Kraftwerk were using nothing more than standard Moog modular and other popular monosynths of the day!
Sour grapes??? I definitely remember a tomorrow’s world”” program circa “autobahn” saying they designed and made their own kit.
Are they less clever than we were led to believe and even if this were so does it matter?
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Post by Dubsounds on Jul 15, 2006 12:56:11 GMT
No it doesn't matter ;D
I was fortunate enough to spend a day with Kraftwerk on their Computer World tour and was allowed on-stage during their sound check.
Yes, the industrial looking brushed aluminium consoles and keyboard "monoliths" contained a mixture of off-the-shelf synths/studio equipment and DIY lash-ups (made by their solder wielding associates).
All identifying markings had been removed from synths such as the micromoog/odyssey. Wood was a total no-no and Ralf's polymoog had the wooden strips taken off and top plastic body panel replaced by sheet aluminium and his minimoog was stripped bare in a metal box.
The ridiculuosly over-sized industrial power connectors were mainly just show (they did however contain multi-core runs from the keyboard racks back to the mixing consoles).
The thing to remember is that it was "rock and roll pantomime" and at the end of the day I couldn't care less then (or now), if they actually lived their boffin dreams or not. The facts are, (as Mitchell said) that they were the first on the scene with sequenced computerised music which was powerful (especially live), hypnotic and a little frightening in the late 70's/early 80's.
I loved it and happy that I touched that "dream" in my lifetime.
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